Jack Edmondson has done an exceptional job retelling the Alamo story. Students of James Bowie will be in for a real treat, since Jack devotes quite a bit to "that knife fighting adventurer" (as he was called in several movies). Edmondson never engages in "hero worship" which all-to-often clouds serious historical study.Nor does he indulge in "bashing" like Jeff Long did in "Duel of Eagles". Edmondson touches on the Crockett death controversey, but if you write about the Alamo, it's inevitable. If you are a serious researcher, Jack's book belongs on your shelf!

Was the battle of the Alamo a stragetic blunder? Did Davy Crockett wear a coonskin cap? How did the Alamo's "Holy Trinity" really die? How many duels did famed knife-fighter James Bowie take part in?

These are only some of the questions answered in what must surely be the ultimate history of the Alamo--as a mission, a fortress and a shrine. Edmondson's writing is colorful and fact-crammed, carrying the reader forward with the breathless pace of a novel. Above all, he portrays history through the actions of the men who made it--James Bowie's quest for adventure and wealth; David Crockett's failures as a Congressman; William Travis' burning ambition for ever-lasting fame.

Edmondson has brilliantly captured the often harsh realities of life on the Texas frontier. Among these: the ineffective and lethal "treatment" for venereal disease--mercury; the support of many "freedom-loving" Texans for slavery; and the conflicts faced by Tejanos trying to remain loyal to their native Mexico while opposing the dictatorship of Antonio Lopez de Santa Anna.

The climax of the narrative arrives in his full-length and dramatic account of the siege and fall of the mission. Edmondson presents all possible sides to every controversey, and allows the reader to reach his own conclusions. For example, on the death of James Bowie: Edmondson notes that Bowie was deathly ill at the time of the final assault, and thus highly unlikely to have piled corpses around his sickbed. Yet he also states that Bowie had proven a hard man to kill in the past--and thus makes the convincing case that if Bowie had had the strength to hold weapons, he would have used them.

Edmondson has taken a subject well-trodden by historians and novelists and re-created it for a new generation. In doing so, he has rendered scenes of stirring drama while emphasizing the shared humanity of the combatants on both sides.

This book reads like a novel, but contains the facts of the historical event. Too bad Edmondson isn't writing for the school book market. History would be a favorite subject for kids.

Most people know about the battle at the Alamo, but don't know why this mission-turned-fort became the focal point of the confrontation between the Mexicans and Texians (yep, that's spelled right, read the book). Edmondson starts from the beginning to bring the reader up to the moment of siege and sacrific. The book begins as a fascinating read about Spain's early attempts to colonize the territory that would be come Texas. It moves into a fun read about favorite and familiar characters like Davy Crockett, Jim Bowie, and William Travis. Then the book takes the reader into the final 13 days that sealed the fate of those in the Alamo and set the course for Texas' separation from Mexico. Mark out a whole evening to read the last 212 pages, you won't be able to put it down. I sincerely hope Edmondson will be writing more history about Texas and the southwest. I for one, am waiting for his next book.

Newer books have been written based on more recently available sources, but this book stands the test of time. It is based on solid research, it doesn't spend entire chapters digressing into, for instance, the ins and outs of the Bowies' business dealings, and it keeps speculation on the motivations of Travis, Crockett, Bowie and Santa Anna to a couple of paragraphs each. Any speculation is just the author's guesswork, and I find Myers guesses to be kept more brief - and more to my personal taste - than, say, William C. Davis' in "Three Roads to the Alamo". It has been said that a revisionist is one who, lacking the notion of honor in his/her own character, cannot understand it when encountered in others. While Myers examines the actions of the three main personalities in a journalistic manner, the enormity of their patriotic sacrifice is never deprecated as is the fashion in modern, revisionist historical writing.

This book remains not only the best single volume on the siege, it provides a great introduction to the historic and social melieu of the era for those seeking to understand the background of the Mexican-American War. -

Mr. Myers wrote this book in 1948, and based it on careful research into the facts as they were known at the time. THE ALAMO is a story of heroic men, dedicated to the cause of freedom, sacrificing their lives willingly for that cause. Bowie, Crockett, Travis, and all the others with them, were the stuff of legends, and as such we should remember them. This is a story to rival THE ILLIAD in its nobility of character and cause. Sadly, later research has shown that these giants were, like the Trojans, at least partialy the product of myth, and their cause was not quite so noble. But this in no way detracts from the telling of a great tale, and, if the men of the Alamo were not quite as tall as we imagined them, they were still men deservant of our admiration. They died for what they believed in, and this is their story, from the first man who ever bothered to compile the whole thing in one place.

Although written in 1948, John Myers Myers "The Alamo", proves that he did his homework well way back then. As a result, the factual conclusions he arrived at the time of his writing, dovetail with those arrived at in later years by other Alamo authors, including Walter Lord. Myers writing presents the subject in a historicly accurate manor, but at the same time with the wit and insight of a newspaper editorial, bringing it to life on a human level.

When studying in school and trying to remember dates,names and events to receive a decent grade on History Tests, this would have been the ideal book for me. It's all here compiled in a readiable story form that brings the characters and dates and ordeals that all went through in a fashion that makes it very interesting and all too true. Your heart can't help but go out to all that were connected in this important part of American History, the good with the bad. I highly recommend this book for anyone who is just interested in wanting to read about the Alamo to those who want to know the actual facts. Kudos to the Author.

This work by Mary Deborah Petite provides very clear answers to one of the most myth filled stories of Western America. It does not cause disappointment for the reader, but by providing a clear look at the facts actually enhances the story and the sacrifice of the willing and determined participants. It is concise, full of information, and a real pleasure to read. This reader is looking forward to future works by Ms Petite.

I had the good fortune to hear Ms. Petite give a lecture on The Alamo recently and purchased a copy of her newly released book immediately afterward. I was impressed by the manner in which the book dispels many of the myths surrounding that battle and the Texas Revolution, replacing them with the facts which are as interesting, if not more so. Most of the facts and some of the myths were entirely new to me.

Many of the subjects dealt with are very moving and lose none of their passion in the telling: Travis letters of determination to stand and die and calls for aid; the story of Juan Seguin, a Mexican, but no less a true fighter for Texas independence fighting along side men like Travis, Bowie and Crockett; the horrible massacres of men on both sides. I also found a lighter side to the book, including references to the famous "Yellow Rose of Texas," and some well known participants' fondness for opium and for women.

The format of the book is well suited for its apparent purposes: to enlighten and entertain. The facts and the legends selected appear to have been choosen with the utmost care, including some of the latest research. The author has managed to pair down what must have been a vast amount of material and include those facts most valuable to telling the story, and those most enjoyable to read.

For her thirteenth birthday in 1835, Lucinda Lawrence's grandmother sends her a diary. Lucinda lives in Gonzales, Texas, when the American settlers were fighting to break free of Mexico, and she writes of many historical events, including the Alamo (where she loses a brother and an uncle), Goliad (where another of her uncles is killed), the Battle of San Jacinto, and the "Runaway Scrape," when the women and children of Texas barely escaped a step ahead of the Mexicans. Lucinda's diary is another wonderful Dear America book and I highly reccomend it.

My book, A Line in the Sand,The Alamo Diary of Lucinda Lawrence by Sherry Garland, is about a family that lives in Gonzales, Texas. The year of 1836. In San Anotonio there was a war that was about to start against the Mexicans. The Mexicans wanted Texas as theirs, other then having Texas as a free country.

Gonzales, Texas took a part in this war by sending their men to help fight against the Mexicans. They also were sending them food, bullets, and other goods that they would need to help them. Lucinda's brother and uncle went and fought against the Mexicans. During the battle against Santa Anna they die in action.

I think this was a great book. I would recommend this book to people who like a page turner and also likes to read books in a form of a journal or diary.

This is a really great book! I have recomended this book over & over & every one has loved it. I was just as upset, sad & as happy as she was @ all the right parts. This book is described really nicely. Read this, you'll like it, trust me!

This novel is a perfect example of the old adage "You can't judge a book by its cover". I am definitely not a person who goes for lavender, lace and hearts and if I had seen this book on a library shelf or in a store, I would have not given it a second thought. It would have been passed right by. Since I had no choice, but to read the book as the reviewer, I was very happy to find it several notches above its cover. While not the deepest or the most profound book I've ever read, "Years" does have several strong points: 1) STORY LINE - from beginning to end the story remains focused - the growth from a young girl to a young woman. It moves from Linnea's days as an inexperienced teacher, through helping Theodore learn to read, her Christmas visit to her family where she realizes how much she is attached to Theodore and her new life, the wedding followed by the April blizzard, the family loss from the pandemic influenza and finally the birth of her child. 2) SETTING - For those who have never been to the upper midwest, readers would come away from reading this novel with a vivid mental image of North Dakota complete with its unending wheat fields to its fierce winters. The author's descriptions of the area were interspersed nicely with dialogue, so that the reader got a good sense of place without page after page of descriptive writing. 3) CHARACTER DEVELOPMENT - Linnea - enthusiastic, imaginative, strong minded, creative, but with excellent organizational skills - qualities we have all wished for in our own children's teachers. Theodore - a gruff, morose character until the young Linnea appears and bring spark to his life again. Nissa - the mother and human dynamo and the glue that hold the Westgaard clan together. Other less prominent characters in the book were also developed well, though not as fully - the reader is able to get a strong sense of person in Kristen, Teddy's son; John, his brother and Clara, his baby sister. Also Isabelle Lawler, the bawdy, but lovable cook and the Severts - the minister, his wife and Allen, their totally incorrigible son. Ties in with character development was a strong feeling of admirable VALUES - a strong family allegiance and a close alliance with the seasons, the land and nature.

I just recently started reading Lavyrle Spencer's books, and so far this is one of my favorites. Spencer's novels are more then a romance novel, they are an excellent and breathtakingt story! She makes you feel at home with the characters and makes you feel what they are feeling. This particular nove talkes place in 1918--Alamo, North Dakota. Its about an 18 year old girl who just received her teaching certificate and has gotten her first job away from home. She is very excited about her new experience and despartley wants to grow up. As the story continues, Linnea learns about the hardships of farming, war, and love. She struggles to keep herself from falling in love with an older man, but can't get him out of her mind. Read the story to find out what happens between Linnea and Theodore!!!

This was the first Lavyrle Spencer novel I read. This was the book that made me a fan. I thought the story of Linnea & Teddy was touching and sweet. I also enjoyed the description of life in the early part of the last century. I have re-read this book at least five times. I would recommend this book and Ms. Spencer's other novels. I have enjoyed all of her works.

The reason I put four stars is because it was sad. Whenever I think of the Boy in the Alamo, I think of my grandfather. My grandfather died in World War 1, so I never met him. Boy in the Alamo was good, my favorite part is when Billy said he'd look for Lupe his whole life.

My 4th grade son and I loved this book! It's a great read with lots of excitement and emotion. My son read it first and loved it so much I decided I wanted to read it. I had trouble putting it down. It's an absolute must for kids and adults.

Loved it! It could not get any better!! I liked Davy Crockett and Jim Bowie and Santa Anna! It shows and tells you everything just like the Alamo. Even though it was just told through the mind of a 12 year old boy, it was still the best book. The story really shows what the Alamo was like. It was blazingly awesome with fantasy and real scenes. The pictures were great! I would give this book six stars, if I could. I couldn't resist to say no to this book!

Radio has been called the "theater of the mind." The Alamo, presented here for the first time as a radio dramatization, is a professional production that uses talented actors, realistic sound effects, and an able musical score to tell a story. Much like a good book, it will transport you to another place and time where you become more than a casual observer.

The story is told from the standpoint of a young David Cummings an actual Alamo defender from Pennsylvania and begins when he, like so many others, answers the call for volunteers in the Texas Revolution. We travel with Cummings to Texas and along the way meet a bevy of characters, some familiar others not-so-familiar.

This dramatization is just that, drama and as such is also entertainment and should not be taken by the listener to be an accurate reference resource. The writers stuck fairly close to history, but in some cases chose to take artistic license for the sake of telling a good story.

For example, our protagonist, David Cummings, who was 27 at the time of the siege, is suddenly 16 years old. I am not sure why the writers did this when they could have easily chosen other defenders who were that young or simply chosen someone else. This is not a detractor from the story because 99.9% of the population doesn't know David Cummings from Adam, so for most part it doesn't matter. The Colonial Radio Theater players are story tellers and boy do they tell a whopping good story.

I was pleased that William Barrett Travis was presented as a young man (he was 26 when he died) but rolled my eyes when they had him draw the line in the sand. This, and "Moses" Rose going over the wall shortly thereafter were the only instances I noted where lore supplanted history. The writers can be forgiven though, because Travis's line in the sand is part of our cultural consciousness and as such, it effectively added to the drama. The Alamo was about choices and the"line in the sand" scene efficiently depicts the ultimate choice. In the end our hero, Cummings, did not want to die, but was willing to give up his life for something bigger than himself. By experiencing it with the characters you understand WHY so many chose to stand and fight when they knew death was a certainty.

The producers choice of vocal talents was generally good. However, I must admit that I winced at the characterizations of Tejanos or Mexican nationals. It was obvious to this listener that these were not Hispanic actors but rather non-Hispanics actors using a forced accent. (Santa Anna sounded a little like Bela Lugosi.) In fairness, I may be a little picayunish due to my Hispanic heritage and this detail might not be noticed by most.

The Alamo does not contain any colorful language, but sometimes the dialog and action get a little rough. The story also deals with the subjects of death and duty in a realistic fashion and may be too intense for younger children, so I would give this cassette a PG rating. While still a family offering, The characterizations in The Alamo are not unnecessarily sanitized, so you still get the idea that some of defenders were from rough-and-ready stock.

The quality of this digital recording is excellent. The sound effects were realistic and the stereo separation greatly added to the sense of spatial presence, especially in the final battle sequence. The music, as it should, heightens the drama without detracting from the overall production.

If you like the story and drama of the Alamo, then I would recommend this tape. However, if you are looking for historical documentation, stick to books.

Randell Tarin
Managing Editor
Alamo de Parras

I just got this tape and love it! The story leading up to the battle is just as exciting as the battle - and for the final 12 minutes my speakers were crashing and exploding and cannon balls were flying across the room! The battle is spectacular, and I was right in the middle of it - what an experience! I must point out however, reading another review just after listening to the show, that at no point in the story does Travis "draw the line in the dirt" for the men to cross. This never happens in this "Alamo" program. Also, I have read MANY books on the Alamo, and this show was dead-on! High recommended. I don't know why the program is listed as "Abridged," because it is the complete program.

The sound effects of the battle are fantastic. I was especially impressed that the script actually used the real names of two participants in the battle for the roles of the 16 year old boy and his friend. I highly recommend this tape to any Alamo enthusiast.

Though a cliché, the phrase "A picture is worth a thousand words" finds worthy illustrations, even literally, in this book by artist and author George Nelson, "The Alamo: An Illustrated History."

A collection, by common usage and by operative definition, is an accumulation of objects for purposes of examination, comparison, study, display and viewing, and enjoyment. Private collections usually contain treasures only a chosen few can enjoy. Nelson has done every history enthusiast a real service by putting into literal publication this volume of Alamo images. They are, in a word, fascinating.

Though not as massive in its heft as the facsimile of Leonardo's "Leicester Codex," in format Nelson's volume could easily serve as a superb "coffee table" book. In it, one finds accounts, illustrative and written, of the Alamo's evolution throughout the centuries. Some of the artist's renderings are the author's own, and most of the photographic images are historic.

The most unique picture in the book might be the 1849 Alamo daguerreotype. It's unique mainly for two reasons: it's the first photographic image known to have been made in Texas - and it's the only known photograph of the Alamo Church before the now-iconic campanulate roof was added by the U.S. Army not long after the image was made. That there are a few people visible in the photo lends a special distinction - a human quality - to the image, even though we're seeing in it a literal freeze-frame of mid-19th-century time. That instant shows certainly not the battle that occurred there thirteen years before, or even a "reality" of daily life at the moment the photo was made: what it captures is essentially a brief view of one of history's "coffee breaks."

We should be thankful for the existence of this particular Alamo photo, and that George Nelson included it in this book. Made the very year Chopin died, the picture seems to cement the attachments that tie us to our own history. Historic photographic images like this one have certain primacies others do not, and only the most minimal reflection and effort reveal to us the important connections between the times of those photos and the corresponding people and events. As just one example, the first known photographic image ever made is a "heliograph" on a pewter panel by French lithographer Joseph Niepce. A view from his window at Gras, it took eight hours to expose, is primitive by any standards and lacks real detail. Nevertheless, that photographic image is still extraordinary: when it was made in 1826, Beethoven was still alive, with the mighty Missa Solemnis and the Ninth Symphony already two years behind him. There's no way to know that the 1849 Alamo daguerreotype has no hidden story: can anyone say that none of the people visible in that photo didn't actually witness the events of Sunday, March 6, 1836 from a safe point in or near the town of San Antonio de Bexar? Conjecture may be fruitless, but it's still fascinating.

The artist's speculative rendering of the 1836 Alamo compound, one of the finest in the book, has an odd detail. The southern main gate seems totally surrounded by a U-shaped fortification of earthworks and cannon, with two rather narrow doorways on the eastern side of the Galera (often referred to as the "Low Barracks") being the only visible means of ingress or outlet to and from the entire compound. It's conceivable the artist might be suggesting that at the time of the battle, entry and exit might have been effected via those two doorways, perhaps with the intent of maximizing protection of the compound under conditions of seige. This still leaves open certain questions about how larger apparati might have been brought in. Even if this unusual peculiarity was an oversight in the rendering - after all, nothing is "perfect" - it certainly doesn't invalidate the overall worth and quality of the book, just as a wrong note or two wouldn't invalidate an otherwise fine performance by a fine pianist.

Exemplified in Nelson's book is the "Show, don't tell" principle. The finest writers show us with prose; and as the skilled musician can "hear with his eyes" by reading a score, the finer artists can "tell" us with images rather than words. Resurrected in this book are conceptual renderings and actual photos of places in eras long gone. With such a wealth of illustrations, the book offers us a rare and fascinating opportunity for comparison and study of images that have a very direct Alamo connection.

Though there's much to learn from the written accounts given here, the images themselves are the mean feature of this book. And images - especially historic ones - can resonate with us as no written descriptions can.

...

If a picture is worth a thousand words then George Nelson's "The Alamo: An Illustrated History" is worth many times that. Through much research Mr. Nelson gives you a birds eye view of the Alamo grounds through the ages with his drawings. Actually I like his drawings better than the historical drawings and photographs used in the later part of the book. Its a great book just to carry around the Alamo grounds as you try to imagine what it was really like in past times.  
I recently met Mr. Nelson at the Alamo gift shop. He was holding court, signing books and telling tales of Texas. Filling all the tourist with the "real" story of the Texas Revolution. He was sincere, knowledgeable, and seemed to really enjoy interacting with the crowd. 

"George Nelson has chosen to catalog in a chronological fashion events associated with the building of the Alamo and its geographical setting from prehistoric times to last year. . . the images speak to us and tell us of the changes endured by the most well-known building in Texas. . . (Nelson's) reconstructions add immeasurably to the reading of the public's understanding of 'What was a mission?' . . . He suceeds where many literary works fail. . . "

In 1903, the Alamo was almost destroyed. A large eastern business interest came with plans to raze the abandoned Hugo-Schmeltzer warehouse and erect modern buildings in its place. The old warehouse was an eyesore and stood as a daily reminder that perceived progress is only transitory.

The problem? The gaudy wooden building, that in some ways resembled an amusement park structure with it's crenelated exterior and fake cannon, sat atop the original stone construction of Mission San Antonio de Valero's convent--a.k.a. the Long Barracks. In short, they wanted to tear down the Alamo.

Under the leadership of two extraordinary women, Adina de Zavala and Clara Driscoll, the Daughters of the Republic of Texas engaged in what became known as the "Second battle for the Alamo."

Clara Driscoll, a wealthy socialite, put up the $75,000 necessary to buy the property with the understanding that the State of Texas would buy it back and assign custodianship to the DRT. Adina de Zavala, a Mexican-American woman whose roots ran deep in Texas, was a fierce advocate for preserving the historical structures of San Antonio. Two women from two different cultures, but with a common goal.

Because we hold the Alamo and all that it represents so dear, it's surprising, that the people of Texas were once politically divided on this issue. For five long years there were turbulent disputes. It finally took Adina de Zavala barricading herself inside the Alamo for three days to bring resolve to the situation and to protect the buildings from demolition.

In Scott Zesch's novel, the title "Alamo Heights" represents the social struggle between Anglos and Hispanics and within the strata of Hispanic culture itself. In 1903, Alamo Heights was the Knob Hill of San Antonio. If you lived in Alamo Heights, then you had arrived.

In the novel, Adina De Zavala is characterized by Rose De Leon Herrera, the wife of a young aspiring lawyer, Antonio Herrera. In one sense, she and her husband "have arrived" and are part of San Antonio's social elite. At the same time they must struggle to remain there. Antonio Herrera is constantly mortified by his wife's outspoken behavior for fear it may topple him from his hard-won social position. Rose Herrera wants to protect the Alamo as a symbol of her heritage. To do so, she comes to odds with nearly everyone.

Clara Driscoll is characterized by Alva Carson Keane a young girl of privilege who has become a popular modern romance authoress. Alva's reasons for saving the Alamo property, we find, are to erect a monument to her late cattle-baron father.

Both women are strong characters and conflict ensues as their egos and cultures clash. This conflict becomes clear when we discover that Alva is heir to Tres Piedras, a large cattle ranch near Laredo that once belonged to Rose's grandfather. Bad blood, culture and race separate these two women, but they are brought together by a common bond: to save the Alamo.

Zesch introduces us to an equally strong character in sculptress Mathilda Guenther, a composite of several real artists. Matilda is an older woman, but a free spirit who was born too early. A friend and ally to Rose, she would have fit in nicely into the bohemian communities of Soho, Paris or Berkeley.

Rafael Menchaca is the only strong male character in the novel. He is a coarse and uncultured mariachi/street vendor who calls himself the "voice of the people." He expresses his rebelliousness by idealistically voicing the struggles of his people through his songs. Socially, he is the antithesis of Rose Herrera and resentfully describes her kind as the "Tejano Bourgeoisie"

An intergral subplot develops when Rose's son, Enrique, a promising musician, aspires to become an apprentice to Rapheal Menchaca. In the process he falls in love with Menchaca's daughter Eva, a beautiful and talented sculptoress. Menchaca's opposition to this relationship soon draws Rose away from her lofty position in Alamo Heights.

Scott Zesch's novel, Alamo Heights, is a fictionalized account of the fight to preserve the Alamo. He has brought to life another time and place and thoughtfully interwoven this landscape with fully-developed characters, most of whom are based on real individuals.

The groundwork for his characterizations comes from his in-depth research of Zavala, Driscoll and others and of a time in San Antonio's history where women, especially strong outspoken women were a rarity.

The author's grasp of the cultura, or Tejano culture, at the beginning of the twentieth century is comprehensive. He examines Hispanic's attitudes toward women as their community struggles to inculturate with the growing Anglo population.

Each character is dynamic and self-determined, possessing an individual agenda. Zesch skillfully orchestrates his characters through his main story line and numerous subplots, creating a fascinating tale not of history, but an intriguing interpretation of real historical events.

Though heady stuff, Alamo Heights, is a light, easy read. It is well written and has inspired me to look further into its historical story behind the story. I look forward to future offerings from Scott Zesch.

Randell Tarin, Managing Editor(emeritus)
Alamo de Parras

This was a fascinating read. Mr. Zesch has taken a sweeping historical saga and distilled it to its human core. It was refreshing to read that the battle for the Alamo was about more than Davy Crockett and his coonskin cap. I celebrated Rose's triumph as if it were my own. I am convinced this author has much more to say. I can't wait to read his next work.

This book is very entertaining. One of the best ways to judge a book is to ask yourself, "Do I want to learn more about this topic?" With Mr. Zesch's book the answer is emphatically "Yes!".

Excellent book, it takes a bit to stick with it, but the modern day excerpts/perspectives threaded into the book give it a good historical perspective. This is a good combo to go together with Richard Rhodes "The Making of the Atomic Bomb" and "Dark Sun".

- for anyone seriously interested in our nuclear heritage, weaponeering, or the NWEPS program. Gives INCREDIBLE insight as to the minds and directions these young physicists were going.

This book is a must-read. Simple, concise, straightforward technically. You gotta read it, 'nuff said.

This is an incredible book. This is originally a compilation of Robert Serber's notes he gave to incoming scientists at Los Alamos in the 1940s, explaining to them the purpose of the Manhattan Project and the expected means by which they would achieve their goal. This particular copy, courtesy of the University of California Press, contains not only an introduction by Mr. Richard Rhodes (author of The Making of the Atomic Bomb - strongly recommended), but notes throughout the Primer itself by Robert Serber. It is fascinating to read comments on a document by the man who wrote it many years afterward. Be warned: This is NOT a how-to book, and does require some basic knowledge of calculus and physics. It is, however, unbelievably interesting, and worth the cost to add it to your collection.